Are You Happy Now, Norman Mailer?

April 25, 2008

Rational

While writing about Shakespeare the other day, I started reflecting on the way that people will fight an onslaught of facts with the weapon of rationalization. This came to me, of course, because of the supposed “authorship question,” in which people routinely confuse rationalizations for rational thought. Facts are something to be refuted and got around, not the basis on which suppositions are made.

Take the current favorite in the authorship sweepstakes, Edward de Vere, the 17th Earl of Oxford. Now his “candidacy” (for a position that logic dictates is not even open) immediately comes acropper of one very inconvenient fact. He died in 1604 and Shakespeare kept spitting out plays until 1612 or 13. Now, rather than concede that his Lordship could not possibly have had anything to do with the writing of Shakespeare’s plays, they develop intricate theories to explain the discrepancy, theories that are not explanations, but rationalizations meant to try to circumvent the facts. Belief predates the rationalizations for that belief.

I’ve seen this phenomenon in other areas of life. An interest of mine that few who know me would suspect is my interest in the career of the Zodiac, a serial killer who suddenly became very prominent in the San Francisco Bay Area in the late 1960s. My interest in the case is personal. We lived in San Francisco at the time, and one of Zodiac’s victims, a cab driver named Paul Stine, was murdered four or five blocks from our house. I used to walk past the crime scene whenever I went to visit my friend, Mark. I realized that I needed to look into this when I came across a tawdry book called Zodiac by Robert Graysmith. Just seeing the title unnerved me slightly, and I almost came apart at the seams when I read a phrase in one of the letters the Zodiac sent to the San Francisco Chronicle: “and pick off the kiddies as they come bouncing off.” I had remembered it word-for-word over the span of over two decades.

Anyway, I say all that to say this. I made the mistake of getting involved in a messageboard that was frequented by amateur sleuths who wanted to discuss the case. What I found was an assortment of armed camps, groups of people who supported various “suspects” in the case, most of which had been gotten from the last chapter of Zodiac. There was also a small contingent that supported Ted Kaczynski, the Unabomber, and one lone fellow who thought Bruce Davis, a member of the Manson Family, was the killer. There were also a couple of skeptics, which, for a small amount of time, included me.

The facts were meaningless for most of these folks. Eyewitness accounts were discredited. Hearsay evidence was highlighted. Theories involving elaborate disguises were proposed and tortured logic ruled the day. Eventually, ABC paid to have a DNA profile done from the back of one of the stamps on one of the letters, and the most popular suspect–a guy who died in 1992 named Arthur Allen–was cleared.

Now, you would think that DNA evidence clearing a man’s name would be sufficient, but it wasn’t. Truckloads of rationalizations were wheeled out and dumped all over everywhere. He must have divined, in 1969, that DNA testing would eventually be developed, and he must have gotten somebody else to lick the stamp, one theory read. Can you imagine the conversation that would have had to have happened? “Hey, Bob! Would you mind licking this stamp for me? I’ve just been eating crackers.”

When the facts don’t suit your purpose, alter them with a wild theory. I think this accounts for the plethora of conspiracy theories that abound these days. If the facts don’t support your personal fantasy, find a conspiracy. If your ideology keeps running aground on the craggy shore of reality, blame reality and trumpet your ideology louder.

We are the animal that believes. We bind ourselves together in tribes with beliefs. The mistake of the Enlightenment is that the people who developed the theories that made the Enlightenment run believed man to be rational, but he is not. He is a creature of belief. And when belief is challenged by rationality, man attacks it with his most convenient weapon, rationalization.

7 Comments »

  1. Hello,

    I agree with you about rationalization as the defense of belief. For what it’s worth, however, I thought I’d give you an update on the Shakespeare authorship question. As a professional Shakespearean actor, I long dismissed it as poppycock dreamed up by snobs. But in this case, it’s the facts that are the problem, and it’s the orthodox view that has to defend belief with rationalization. A long string of unusual facts make doubt about the authorship a rational position. I won’t go into them here, but you might want to check out http://www.shakespearefellowship.org. The death of Oxford in 1604 indeed would seem, at first glance, to be an insuperable obstacle calling for pretzeled contortions of rationalization for its defense. However, the so-called “fact” that some plays were written post 1604 is not, in fact, a fact. There is no such thing as a standard and accepted chronology of when the plays were written, and no hard evidence to indicate a post-1604 date for any of them. Indeed, before the Oxford theory began to gather notice, several orthodox scholars had innocently noted that the Shakespeare enterprise seemed to have closed up shop in 1604: no “newly augmented, and revised by the author” editions, a sudden stop to a once-a-year release of new material that had gone on pretty steadily since 1593, and a long silence broken only by the sonnets in 1609, Lear and Cressida about the same time, and then suddenly 18 previously unpublished plays show up in the First Folio in 1623.

    The parade of fantastic rationalizations dreamed up by the Shakespeare industry to defend their secular church is really where you might find the best material for your observation.

    Thanks,

    Michael Dunn

    Comment by Michael Dunn — April 25, 2008 @ 11:48 am | Reply

  2. P.S.: Othello was published in quarto shortly before the Folio.
    M.D.

    Comment by Michael Dunn — April 25, 2008 @ 11:51 am | Reply

  3. Michael–

    Thanks for stopping by.

    As to facts, let’s start with a few. First, there is never the first whiff of this authorship question until 150 years after Shakespeare’s death. There is not the tiniest hint of it in gossipy, backbiting Elizabethan London even though Shakespeare was quite well known as the author of the plays and poems. He is mentioned several times in contemporaneous documents, from Robert Greene to Frances Meres to the diary of John Manningham. Nowhere is there the slightest question of his having been the author of the works ascribed to him. Ben Jonson, the most jealous of men, ready to pick a fight over literary reputation at the drop of a hat, questions only Shakespeare’s methods, not the fact of his authorship.

    It is true that the dating of the plays is in some ways more of an art than a science. We do know, from the records kept at court, which plays were performed before first Elizabeth and then James I, performances which do indicate that some plays were written at certain times. We also know that the later plays seem to be written for indoor rather than outdoor performance, and we know that the King’s Men weren’t able to mount productions at Blackfriars until 1608 and after, four years after his Lordship’s death. We know that the Globe burned to the ground in 1613 during a production of Henry VIII, which had just gone into the repertory.

    We know that Shakespeare was memorialized in Stratford with a bust sometime before 1624, a bust that shows him as a writer that is accompanied by a plaque that compares him to Virgil. This was done by people who knew him and who would have had a pretty good idea if he was just the beard.

    The point is that there is no case for Oxford’s or anyone else’s “authorship” of the plays and poems without the underlying question that there is an authorship question to be had at all. It’s all self-reinforcing.

    I leave this with one small point that I cannot fathom. Why would the Earl of Oxford–whose poems, as mundane as they are, still exist–write long poems and then dedicate them to the Earl of Southhampton, the first in fawning tones? It stretches credulity past the breaking point. He wouldn’t, of course. He also probably–had he been capable of writing Venus and Adonis–wouldn’t have set that first poem in a field across Clopton Bridge from Stratford. He wouldn’t used Warwickshire argot and spellings. He wouldn’t have used glover’s terminology. He wouldn’t have set two plays in the Arden Forest, which is north of Stratford and also shares a name with Shakespeare’s mother’s family.

    It all comes back to rationalizations. In order to make the Earl of Oxford or anyone else other than William Shakespeare the author of those plays, dark conspiracies and intricate explanations have to be developed. What is apparent and easy must be deemed difficult and dark. It all comes down to Occam’s Razor, and Occam’s Razor falls to the side of William Shakespeare, son of a glover from Stratford-upon-Avon, Warwickshire, England.

    Comment by Len — April 25, 2008 @ 12:35 pm | Reply

  4. your last paragraph is most wise and insightful!

    Comment by kimy — April 26, 2008 @ 9:22 am | Reply

  5. Thanks, Kim.

    Comment by Len — April 26, 2008 @ 10:26 am | Reply

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